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Ballroom dance

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Ballroom dance is a set of partner dances , which are enjoyed both socially and competitively around the world. Because of its performance and entertainment aspects, ballroom dance is also widely enjoyed on stage, film, and television.

Ballroom dance may refer, at its widest definition, to almost any recreational dance with a partner. However, with the emergence of dance competition now known as Dancesport , two principal schools have emerged and the term is used more narrowly to refer to the dances recognized by those schools.

Note that dances of the two schools that bear the same name may differ considerably in permitted patterns figures , technique, and styling. Exhibitions and social situations that feature ballroom dancing also may include additional partner dances such as Lindy Hop, Night Club Two Step, Night Club Swing, Bachata, Country Two Step, and regional local or national favorites that normally are not regarded as part of the ballroom family, and a number of historical dances also may be danced in ballrooms or salons.

Additionally, some sources regard Sequence Dancing, in pairs or other formations, to be a style of ballroom dance. The term 'ballroom dancing' is derived from the word ball which in turn originates from the Latin word ballare which means 'to dance' a ball-room being a large room specially designed for such dances.

In times past, ballroom dancing was social dancing for the privileged, leaving folk dancing for the lower classes. These boundaries have since become blurred. The definition of ballroom dance also depends on the era: balls have featured popular dances of the day such as the Minuet , Quadrille , Polonaise , Polka , Mazurka , and others, which are now considered to be historical dances.

Among the dances described were the solemn basse danse , the livelier branle , pavane , and the galliarde which Shakespeare called the "cinq pace" as it was made of five steps. The Minuet dominated the ballroom from that time until the close of the 18th century. Eventually, the first definite cleavage between ballet and ballroom came when professional dancers appeared in the ballets, and the ballets left the Court and went to the stage.

Ballet technique such as the turned out positions of the feet, however, lingered for over two centuries and past the end of the Victoria era. The waltz with its modern hold took root in England in about ; in Carl Maria von Weber wrote Invitation to the Dance , which marked the adoption of the waltz form into the sphere of absolute music.

The dance was initially met with tremendous opposition due to the semblance of impropriety associated with the closed hold, though the stance gradually softened. In the meantime a strong tendency emerged to drop all 'decorative' steps such as entrechats and ronds de jambes that had found a place in the Quadrilles and other dances. Modern ballroom dance has its roots early in the 20th century, when several different things happened more or less at the same time.

The first was a movement away from the sequence dances towards dances where the couples moved independently. This had been pre-figured by the waltz, which had already made this transition. The second was a wave of popular music, such as jazz. Since dance is to a large extent tied to music, this led to a burst of newly invented dances.

There were many dance crazes in the period — The third event was a concerted effort to transform some of the dance crazes into dances which could be taught to a wider dance public in the U. Here Vernon and Irene Castle were important, and so was a generation of English dancers in the s, including Josephine Bradley and Victor Silvester. These professionals analysed, codified, published, and taught a number of standard dances. It was essential, if popular dance was to flourish, for dancers to have some basic movements they could confidently perform with any partner they might meet.

Here the huge Arthur Murray organisation in America, and the dance societies in England, such as the Imperial Society of Teachers of Dancing , were highly influential.

Finally, much of this happened during and after a period of World War, and the effect of such a conflict in dissolving older social customs was considerable. Later, in the s, the on-screen dance pairing of Fred Astaire and Ginger Rogers influenced all forms of dance in the U.

Although both actors had separate careers, their filmed dance sequences together, which included portrayals of the Castles, have reached iconic status. Competitions, sometimes referred to as dancesport , range from world championships, regulated by the World Dance Council WDC , to less advanced dancers at various proficiency levels. Most competitions are divided into professional and amateur, though in the USA pro-am competitions typically accompany professional competitions. However, it seems doubtful that dance will be included in the Olympic Games, especially in light of efforts to reduce the number of participating sports.

Ballroom dance competitions are regulated by each country in its own way. There are about 30 countries which compete regularly in international competitions. Australian New Vogue is danced both competitively and socially. In competition, there are 15 recognized New Vogue dances, which are performed by the competitors in sequence.

These dance forms are not recognized internationally, neither are the US variations such as American Smooth, and Rhythm. Such variations in dance and competition methods are attempts to meets perceived needs in the local market-place. Internationally, the Blackpool Dance Festival , hosted annually at Blackpool , England is considered the most prestigious event a dancesport competitor can attend.

Formation dance is another style of competitive dance recognized by the WDSF. In this style, multiple dancers usually in couples and typically up to 16 dancers at one time compete on the same team, moving in and out of various formations while dancing. In competitive ballroom, dancers are judged by diverse criteria such as poise, the hold or frame, posture, musicality and expression, timing, body alignment and shape, floor craft, foot and leg action, and presentation.

Judging in a performance-oriented sport is inevitably subjective in nature, and controversy and complaints by competitors over judging placements are not uncommon. The scorekeepers—called scrutineers—will tally the total number recalls accumulated by each couple through each round until the finals when the Skating system is used to place each couple by ordinals, typically 1—6, though the number of couples in the final may vary.

Sometimes, up to 8 couples may be present on the floor during the finals. Competitors dance at different levels based on their ability and experience. The levels are split into two categories, syllabus and open. In these levels, moves are restricted to those written in a syllabus, and illegal moves can lead to disqualification. Each level, bronze, silver, and gold, has different moves on their syllabus, increasing in difficulty.

There are three levels in the open category; novice, pre-champ, and champ in increasing order of skill. At those levels, dancers no longer have restrictions on their moves, so complex routines are more common.

Medal evaluations for amateurs enable dancers' individual abilities to be recognized according to conventional standards. Genres such as Modern Ballroom or Latin are the most popular. In some North American examinations, levels include Newcomer, Bronze, Silver, Gold, Novice, Pre-championship, and Championship; each level may be further subdivided into either two or four separate sections.

There is a part of the ballroom world dedicated to college students. These chapters are typically clubs or teams that have an interest in ballroom dancing. Teams hold fundraisers, social events, and ballroom dance lessons. Ballroom dance teams' goals are to have fun and learn to dance well. There is a strong focus on finding a compatible dance partner and bonding with teammates. There is also a competitive side to collegiate ballroom - collegiate teams often hold competitions and invite other teams to participate.

The dance technique used for both International and American styles is similar, but International Ballroom allows only closed dance positions , whereas American Smooth allows closed, open and separated dance movements. In addition, different sets of dance figures are usually taught for the two styles. International Latin and American Rhythm have different styling, and have different dance figures in their respective syllabi.

Other dances sometimes placed under the umbrella "ballroom dance" include nightclub dances such as Lindy Hop , West Coast swing , nightclub two step , hustle , salsa , and merengue. The categorization of dances as "ballroom dances" has always been fluid, with new dances or folk dances being added to or removed from the ballroom repertoire from time to time, so no list of subcategories or dances is any more than a description of current practices.

There are other dances historically accepted as ballroom dances, and are revived via the vintage dance movement. In Europe, Latin Swing dances include Argentine tango , mambo , Lindy Hop , swing boogie sometimes also known as nostalgic boogie , and discofox. One example of this is the subcategory of cajun dances that originated in Acadiana , with branches reaching both coasts of the United States.

In competitions, competitors are costumed as would be appropriate for a white tie affair, with full gowns for the ladies and bow tie and tail coats for the men; though in American Smooth it is now conventional for the men to abandon the tailsuit in favor of shorter tuxedos , vests, and other creative outfits.

With the exception of a few traveling dances like samba and pasodoble , couples do not follow the line of dance but perform their routines more or less in one spot. In competitions, the women are often dressed in short-skirted Latin outfits while the men are outfitted in tight-fitting shirts and pants, the goal being to emphasize the dancers' leg action and body movements.

Waltz began as a country folk dance in Austria and Bavaria in the 17th century. In the early 19th century it was introduced in England. It was the first dance where a man held a woman close to his body. When performing the dance, the upper body is kept to the left throughout all figures, follow's body leaves the right side of the lead while the head is extended to follow the elbow.

Figures with rotation have little rise. The start of the rise begins slowly from the first count, peaks on the 2nd count and lowers slowly on the 3rd. Sway is also used on the second step to make the step longer and also to slow down the momentum by bringing the feet together. Waltz is performed for both International Standard and American Smooth. Viennese waltz originated in Provence area in France in and is recognized as the oldest of all ballroom dances.

It was introduced in England as German waltz in and became popular throughout the 19th century by the music of Josef and Johann Strauss.

Viennese Waltz music is quite fast. Slight shaping of the body moves towards the inside of the turn and shaping forward and up to lengthen the opposite side from direction. Reverse turn is used to travel down long side and is overturned. While natural turn is used to travel short side and is underturned to go around the corners. Viennese waltz is performed for both International Standard and American Smooth. Tango originated in Buenos Aires in the late 19th century. Modern Argentine tango is danced in both open and closed embraces which focuses on the lead and follow moving in harmony of the tango's passionate charging music.

The tango's technique is like walking to the music while keeping feet grounded and allowing ankles and knees to brush against one another during each step taken. Tango is a flat-footed dance and unlike the other dances, has no rise and fall. Body weight is kept over the toes and the connection is held between the dancers in the hips. Ballroom tango , however, is a dance with a far more open frame, often utilising strong and staccato movements.

Ballroom tango, rather than Argentine tango, is performed in international competition. The foxtrot is an American dance, believed to be of African-American origin. It was named by a vaudeville performer Harry Fox in Fox was rapidly trotting step to ragtime music.

Glossary of partner dance terms

So you want to find a dance partner to practice with? With a partner you will be able to get extra practice outside your dance lessons to review and perfect your moves. But where do you start?

Ballroom dance is a set of partner dances , which are enjoyed both socially and competitively around the world. Because of its performance and entertainment aspects, ballroom dance is also widely enjoyed on stage, film, and television.

This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those. This glossary lists terms used in various types of ballroom partner dances , leaving out terms of highly evolved or specialized dance forms, such as ballet , tap dancing , and square dancing , which have their own elaborate terminology. See also:. A category of dances in American Style ballroom competitions.

Dance Partner

The Sexual Politics of Ballroom Dancing. Vicki Harman. Springer , 10 oct. It explores the key factors underpinning the popularity of this leisure activity and highlights what this reveals more broadly about the nature of gender roles at the current time. The author begins with an overview of its rich social history and shifting class status, establishing the context within which contemporary masculinities and femininities in this community are explored. Real and imagined gendered traditions are examined across a range of dancer experiences that follows the trajectory of a typical learner: from finding a partner, attending lessons and forming networks, through to taking part in competitions. The analysis of these narratives creates a nuanced picture of a dance culture that is empowering, yet also highly consumerist and image-conscious; a highly ritualised set of practices that both reinstate and transgress gender roles.

How To Find A Dance Partner: Ballroom Dance Partner Search Guide

My name is Maddy and I compete in Junior C grade, my Dancesport age is 15 but I am able to compete in Junior until the end of due to my birthday being in December. I live in the inner western suburbs of Sydney, I am cm without heels , I compete in Latin and train in ballroom but am happy to compete in both. I have previous experience in other dance styles. Please email me I you are the one. Thanks and Regards, Tracey.

I am looking for a new dance partner for standard, I'm Edoardo Mangoni and I'm 18 years old and i'm 1,74 m tall. I took part to plenty international competitions and in I took part to junior II World Championship in Bratislava

Ballroom dancing is a blast, but your experience can greatly differ depending on your dance partner. How do you find the ballroom dance partner that complements your skills and style perfectly? Here are some of the most important qualities to look for in a dance partner. Without these key attributes, a dance partnership can fall apart.

I have been dancing for about 5 years. I am looking for a social dancer only. I like New Vogue and Modern Styles the best.

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Dance Partner. Search for ballroom, latin ballroom, salsa and argentine tango dance partners.








Comments: 1
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